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Musical genre distinction and the uniculture : a reply to Simon Firth's 'is jazz popular music?' Serials and magazines
Serials and magazines | Equinox Publishing Ltd. , Sheffield, UK : 2007.

  • 1 of 1 Copy Available at Libraries in Niagara Cooperative
  • 0 current holds with 1 total copy.
Place Hold
Branch Call Number Location Holdable? Status
Niagara-on-the-Lake 9332 MOR Adult The Arts Copy hold / Volume hold Available
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Details

  • ISSN: 1753-8637
  • Physical Description: 20 pages , 28 cm.print
  • Publisher: Sheffield, UK : Equinox Publishing Ltd. , 2007.
  • Copyright: ©
  • General Note: Simon Frith’s stimulating “Is Jazz Popular Music?” raises broader issues than the generic relations between these forms of musical experience. Even the specifically musical correlations transcend genre, involving the general history of dance energy. Moreover, both labels have comprised and designated very different musical experiences throughout their institutional, discursive, and social histories. These differences are reflected in the consistently contrasted perspectives of jazz and pop scholars, and by important shifts in the very definition of ‘music.’ In the contemporary context, jazz and popular music present contrasting but related faces in relation to the all-embracing uniculture of recent years

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